Author: Dr. Biman Mitra
DOI Link: https://doi.org/10.70798/Bijmrd/03040009
Abstract: Pyarichand Mitra’s Alaler Gharer Dulal (1857) holds a significant place in Bengali literature as one of the earliest novels written in colloquial Bengali. Beyond its literary merit, the novel serves as a vivid social and cultural document of 19th-century Bengal, offering insights into the transformation occurring in colonial Indian society. Set against the backdrop of the Bengali middle class in Calcutta during the British Raj, the novel reflects the clash between traditional Indian values and western influences. The protagonist, Matilal, symbolizes the “Babu” culture—young, affluent Bengali men adopting western manners, fashion, and education, often at the cost of moral discipline and social responsibility. Through satire and humor, Pyarichand Mitra critiques this blind imitation of western lifestyle, portraying the moral decline and identity crisis it causes. At the same time, the novel highlights the position of women, the impact of colonial education, and changing family structures. The contrast between characters who uphold traditional values and those swept up in western modernity brings to light the tension between continuity and change. Pyarichand Mitra uses domestic settings, social gatherings, and personal conflicts to mirror broader societal shifts. In essence, Alaler Gharer Dulal is more than a story of individual folly—it is a lens into a society in transition. Pyarichand Mitra’s nuanced portrayal captures the complexities of cultural assimilation, generational conflict, and social reform, making the novel an important cultural artifact that documents the early phases of modernity in Bengal.
Keywords: Transformation, Protagonist, Artifact.
Page No: 99-114