{"id":8749,"date":"2025-11-17T00:18:20","date_gmt":"2025-11-16T18:48:20","guid":{"rendered":"https:\/\/bijmrd.com\/?p=8749"},"modified":"2025-11-17T00:18:21","modified_gmt":"2025-11-16T18:48:21","slug":"the-role-of-folk-theatre-in-the-development-of-aesthetic-excellence-and-social-values","status":"publish","type":"post","link":"https:\/\/bijmrd.com\/index.php\/volume3-issue10\/the-role-of-folk-theatre-in-the-development-of-aesthetic-excellence-and-social-values\/","title":{"rendered":"The Role of Folk Theatre in the Development of Aesthetic Excellence and Social Values"},"content":{"rendered":"\n

Author: Anil Bera<\/strong><\/p>\n\n\n\n

DOI Link:<\/strong> <\/a>https:\/\/doi.org\/10.70798\/Bijmrd\/03100003<\/a><\/p>\n\n\n\n

Abstract:<\/strong> Folk theatre, as a vibrant and indigenous art form, has served for centuries as a powerful medium for cultural expression, education, and moral instruction within traditional societies. Deeply interwoven with rituals, festivals, and everyday life, folk theatre embodies the collective imagination, aesthetic sensibilities, and ethical consciousness of the communities that nurture it. Rooted in oral traditions, it harmoniously integrates music, dance, dialogue, and symbolism to communicate profound social and moral truths in an accessible and engaging manner. This paper explores the role of folk theatre in cultivating aesthetic excellence through the creative interplay of artistic disciplines and its enduring capacity to reinforce social values such as empathy, justice, and community solidarity. Drawing upon historical, anthropological, and performative perspectives, it highlights how folk performances not only preserve cultural identity but also act as vehicles of social critique and transformation. Moreover, in the face of globalization and digital modernity, folk theatre continues to evolve\u2014bridging the gap between tradition and innovation while inspiring new approaches in contemporary education and performance studies. Ultimately, the study underscores the enduring relevance of folk theatre as both an aesthetic pursuit and a moral compass for society.<\/p>\n\n\n\n

Keywords:<\/strong> Folk Theatre, Aesthetic Excellence, Cultural Continuity, Social Values, Moral Education.<\/p>\n\n\n\n

Page No: 16-20<\/strong><\/p>\n\n\n\n

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download journal<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Author: Anil Bera DOI Link: https:\/\/doi.org\/10.70798\/Bijmrd\/03100003 Abstract: Folk theatre, as a vibrant and indigenous art form, has served for centuries as a powerful medium for cultural expression, education, and moral instruction within traditional societies. Deeply interwoven with rituals, festivals, and everyday life, folk theatre embodies the collective imagination, aesthetic sensibilities, and ethical consciousness of the …<\/p>\n

The Role of Folk Theatre in the Development of Aesthetic Excellence and Social Values<\/span> Read More »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":"","_joinchat":[]},"categories":[40],"tags":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":false,"author_link":"https:\/\/bijmrd.com\/index.php\/author\/asraful-alibiswas\/"},"rttpg_comment":0,"rttpg_category":"Volume3 Issue10<\/a>","rttpg_excerpt":"Author: Anil Bera DOI Link: https:\/\/doi.org\/10.70798\/Bijmrd\/03100003 Abstract: Folk theatre, as a vibrant and indigenous art form, has served for centuries as a powerful medium for cultural expression, education, and moral instruction within traditional societies. Deeply interwoven with rituals, festivals, and everyday life, folk theatre embodies the collective imagination, aesthetic sensibilities, and ethical consciousness of the…","_links":{"self":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/8749"}],"collection":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/comments?post=8749"}],"version-history":[{"count":1,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/8749\/revisions"}],"predecessor-version":[{"id":8750,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/8749\/revisions\/8750"}],"wp:attachment":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/media?parent=8749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/categories?post=8749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/tags?post=8749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}