{"id":8325,"date":"2025-10-12T16:28:17","date_gmt":"2025-10-12T10:58:17","guid":{"rendered":"https:\/\/bijmrd.com\/?p=8325"},"modified":"2025-10-12T16:39:58","modified_gmt":"2025-10-12T11:09:58","slug":"towards-a-holistic-model-of-professional-development-integration-of-technical-emotional-and-ethical-skills","status":"publish","type":"post","link":"https:\/\/bijmrd.com\/index.php\/volume3-issue9\/towards-a-holistic-model-of-professional-development-integration-of-technical-emotional-and-ethical-skills\/","title":{"rendered":"The Radiant Vision: Use of Symbol and Imagery in the Works of William Blake"},"content":{"rendered":"\n

Author: Kalicharan Sarder & Dr. Afifa Bano<\/strong><\/p>\n\n\n\n

DOI Link:<\/strong> <\/a>https:\/\/doi.org\/10.70798\/Bijmrd\/03090025<\/a><\/p>\n\n\n\n

Abstract:<\/strong> William Blake (1757\u20131827), one of the most original and visionary figures of English Romanticism, transformed poetry and art into a unified language of imagination, symbol, and vision. His works\u2014Songs of Innocence and of Experience (1794), The Marriage of Heaven and Hell (1790\u201393), and The Book of Urizen (1794)\u2014embody a symbolic cosmos where every image becomes a revelation of spiritual truth. Through the interplay of symbols such as the Lamb, the Tiger, Urizen, Los, and the Rose, Blake explores fundamental dualities: innocence and experience, reason and energy, heaven and hell, bondage and freedom. His imagery\u2014drawn from nature, religion, mythology, and the social landscape of industrial England\u2014 functions not merely as ornamentation but as a metaphysical language of perception. This paper analyzes Blake\u2019s use of symbol and imagery as expressions of his prophetic vision and philosophical idealism, revealing how they construct a universe in which imagination serves as the ultimate means of liberation and divine communion. The study argues that Blake\u2019s symbols are living entities within a dynamic spiritual system that unites art, poetry, and mysticism. Ultimately, Blake\u2019s radiant vision transcends time, offering a critique of materialism and an enduring celebration of the infinite power of the human imagination.<\/p>\n\n\n\n

Keywords:<\/strong> William Blake; Symbolism; Imagery; Romanticism; Visionary Poetry; Mysticism; Imagination; Duality.<\/p>\n\n\n\n

Page No: 216-221<\/strong><\/p>\n\n\n\n

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download journal<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Author: Kalicharan Sarder & Dr. Afifa Bano DOI Link: https:\/\/doi.org\/10.70798\/Bijmrd\/03090025 Abstract: William Blake (1757\u20131827), one of the most original and visionary figures of English Romanticism, transformed poetry and art into a unified language of imagination, symbol, and vision. His works\u2014Songs of Innocence and of Experience (1794), The Marriage of Heaven and Hell (1790\u201393), and The …<\/p>\n

The Radiant Vision: Use of Symbol and Imagery in the Works of William Blake<\/span> Read More »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":"","_joinchat":[]},"categories":[39],"tags":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":false,"author_link":"https:\/\/bijmrd.com\/index.php\/author\/asraful-alibiswas\/"},"rttpg_comment":0,"rttpg_category":"Volume3 Issue9<\/a>","rttpg_excerpt":"Author: Kalicharan Sarder & Dr. Afifa Bano DOI Link: https:\/\/doi.org\/10.70798\/Bijmrd\/03090025 Abstract: William Blake (1757\u20131827), one of the most original and visionary figures of English Romanticism, transformed poetry and art into a unified language of imagination, symbol, and vision. His works\u2014Songs of Innocence and of Experience (1794), The Marriage of Heaven and Hell (1790\u201393), and The…","_links":{"self":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/8325"}],"collection":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/comments?post=8325"}],"version-history":[{"count":2,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/8325\/revisions"}],"predecessor-version":[{"id":8343,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/8325\/revisions\/8343"}],"wp:attachment":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/media?parent=8325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/categories?post=8325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/tags?post=8325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}