{"id":7311,"date":"2025-04-04T21:44:57","date_gmt":"2025-04-04T16:14:57","guid":{"rendered":"https:\/\/bijmrd.com\/?p=7311"},"modified":"2025-05-02T22:47:34","modified_gmt":"2025-05-02T17:17:34","slug":"the-socio-economic-realities-as-depicted-in-the-poetry-of-nissim-ezekiel","status":"publish","type":"post","link":"https:\/\/bijmrd.com\/index.php\/volume3-issue3\/the-socio-economic-realities-as-depicted-in-the-poetry-of-nissim-ezekiel\/","title":{"rendered":"The Socio-Economic Realities as Depicted in the Poetry of Nissim Ezekiel"},"content":{"rendered":"\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Author: Rocky Roy<\/strong><\/p>\n\n\n\n<p><strong>DOI Link:<\/strong> <a href=\"https:\/\/doi.org\/10.70798\/Bijmrd\/03030011\">https:\/\/doi.org\/10.70798\/Bijmrd\/03030011<\/a><\/p>\n\n\n\n<p><strong>Abstract:<\/strong> Nissim Ezekiel, one of the foremost poets of postcolonial India, offers a nuanced portrayal of the socioeconomic realities of Indian society in his poetry. His works explore themes such as urbanization, class divisions, economic disparity, and the alienation that accompanies the rapidly modernizing Indian landscape. Ezekiel\u2019s poetry often delves into the lives of middle-class professionals, offering a critique of their aspirations, anxieties, and the disconnect between idealism and reality. Through poems like The Professor, Night of the Scorpion, and Goodbye Party for Miss Pushpa T.S., Ezekiel reflects the complexities of socio-economic conditions, balancing irony with empathy. His work highlights the challenges of navigating identity, status, and belonging in a nation transitioning from colonial rule to independence. By weaving together personal and collective struggles, Ezekiel presents a rich tapestry of the socio-economic fabric of India, subtly critiquing the socio-political forces shaping the lives of ordinary citizens. His poetry is an invaluable resource for understanding the interplay between social class, economic realities, and postcolonial identity in modern India.<\/p>\n\n\n\n<p><strong><a href=\"Keywords: Products, Potential Health, Food, Society.\">Keywords:<\/a> <\/strong>Nissim Ezekiel, Socio-Economic Realities, Postcolonial India, Urbanization, Class Divisions, Social Commentary, etc.<\/p>\n\n\n\n<p><strong>Page No: <\/strong>96-101<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-ast-global-color-6-background-color has-background wp-element-button\" href=\"https:\/\/bijmrd.com\/wp-content\/uploads\/2025\/05\/96-101.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">download journal<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Author: Rocky Roy DOI Link: https:\/\/doi.org\/10.70798\/Bijmrd\/03030011 Abstract: Nissim Ezekiel, one of the foremost poets of postcolonial India, offers a nuanced portrayal of the socioeconomic realities of Indian society in his poetry. His works explore themes such as urbanization, class divisions, economic disparity, and the alienation that accompanies the rapidly modernizing Indian landscape. Ezekiel\u2019s poetry often &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/bijmrd.com\/index.php\/volume3-issue3\/the-socio-economic-realities-as-depicted-in-the-poetry-of-nissim-ezekiel\/\"> <span class=\"screen-reader-text\">The Socio-Economic Realities as Depicted in the Poetry of Nissim Ezekiel<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":"","_joinchat":[]},"categories":[33],"tags":[],"rttpg_featured_image_url":null,"rttpg_author":{"display_name":false,"author_link":"https:\/\/bijmrd.com\/index.php\/author\/asraful-alibiswas\/"},"rttpg_comment":0,"rttpg_category":"<a href=\"https:\/\/bijmrd.com\/index.php\/category\/volume3-issue3\/\" rel=\"category tag\">Volume3 Issue3<\/a>","rttpg_excerpt":"Author: Rocky Roy DOI Link: https:\/\/doi.org\/10.70798\/Bijmrd\/03030011 Abstract: Nissim Ezekiel, one of the foremost poets of postcolonial India, offers a nuanced portrayal of the socioeconomic realities of Indian society in his poetry. His works explore themes such as urbanization, class divisions, economic disparity, and the alienation that accompanies the rapidly modernizing Indian landscape. Ezekiel\u2019s poetry often&hellip;","_links":{"self":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/7311"}],"collection":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/comments?post=7311"}],"version-history":[{"count":1,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/7311\/revisions"}],"predecessor-version":[{"id":7313,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/posts\/7311\/revisions\/7313"}],"wp:attachment":[{"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/media?parent=7311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/categories?post=7311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bijmrd.com\/index.php\/wp-json\/wp\/v2\/tags?post=7311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}